The Single Best Strategy To Use For metafora
The Single Best Strategy To Use For metafora
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In poetry a metaphor may accomplish diverse functions, from noting simple similarity amongst factors to evoking a wide set of associations; it could exist as being a insignificant aspect, or it often is the central thought and controlling graphic of the poem.
The term metaphor itself can be a metaphor, coming from the Greek expression that means 'transference (of ownership)'. The person of the metaphor alters the reference with the word, "carrying" it from a single semantic "realm" to a different.
. Se hace referencia a su posición en el cielo y a su constante movimiento cuando el viento las transporta.
A root metaphor will be the fundamental worldview that styles someone's knowledge of a problem
Fundamento: la semejanza en la posibilidad de hacer buenos y malos usos tanto de la palabra como de la espada.
Pengertian majas metafora adalah majas yang menggunakan analogi atau perumpamaan untuk melukiskan atau menggambarkan sesuatu.
Se trata de un procedimiento ampliamente utilizado tanto en el lenguaje literario (sobre todo en la poesía), como en el habla cotidiana, dado que sirve para imprimir a lo dicho una potencia mucho mayor que el habla directa.
There exists, he indicates, some thing divine in metaphor: the world alone is God's poem[fifty nine] and metaphor is not only a literary or rhetorical figure but an analytic tool which can penetrate the mysteries of God and His generation.[60]
Though metaphors could be regarded as being "in" language, Underhill's chapter on French, English and ethnolinguistics demonstrates that language or languages can not be conceived of in everything other than metaphoric phrases.
An prolonged metaphor, or conceit, sets up a principal issue with quite a few subsidiary subjects or comparisons. In the above quote from As You Like It, the world is first described as a stage after which the subsidiary subjects men and women are further explained in a similar context.
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Es un procedimiento utilizado tanto en el lenguaje literario y poético como en el habla cotidiana, en tanto permite nombrar un elemento de la realidad con otra cosa, para forzar una asociación con un sentido figurado, es decir, con un significado oculto.
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Baroque literary theorist Emanuele Tesauro defines the metaphor "by far the most witty and acute, quite possibly the most Odd and great, probably the most pleasurable and useful, by far the most eloquent and fecund part of the human intellect".
A blended metaphor is commonly two metaphors sloppily mashed alongside one another as in, "the ball is during the courtroom of public opinion," which joins "the ball is in the court docket" to "the courtroom of public viewpoint." A blended metaphor could also be applied with wonderful efficiency, nonetheless, as in Hamlet's speech: